What’s coming up in the next few years?
What’s coming up next in your favorite series? Here’s a sneak peek at the anticipated titles releasing over the next few years . . .
Anti-Cinderella World Romances
Crystal Cove Romances
Love in a Small Town Romances
Making the Score
Career Soldier West Point Tour of Duty
Love in a Small Town Re-Read: The Last One
In 2013, I wrote my first adult contemporary romance. It was called The Posse, and it was set in a small Florida beach town. I assumed it would be a single, stand-alone title, and that would be it. Then I’d go back to my YA/NA paranormal romance books.
WRONG! First of all, there were more books in Crystal Cove. Second, there was just something about Jude’s daughter Meghan that drew me. I knew she had a story. And when that story began to unfurl, I realized that it was taking me to an entirely new small town.
So I decided that in the summer of 2014 I would write that story. What I didn’t realize was that both the book and the summer would be a turning point.
At that time, I had written seven books–and most were paranormal romance. Four were young adult. I fully expected to go back to paranormal romance as my main genre.
And my family was living in Sanford, Florida. If that sounds familiar, it should: some of the more notorious Florida cases in recent years have either happened there or been tried there. It wasn’t our first choice of homes, but through a series of circumstances, we’d ended up moving there in 2012. By 2014, I couldn’t wait to get out of there.
At the start of that summer of 2014, we’d decided it was time to move. My husband, at the time a hospice chaplain, was working about an hour away. We had the option to move to the east coast of the state to be closer to his work. But there was also a chance that he was going to be offered a position in parish ministry on the west coast of the state. We weren’t sure what was going to happen, we couldn’t make any move until we knew . . . so we were in limbo. We were packing boxes, but we didn’t know where we would land.
And in the midst of that, I wrote a book.
Meghan is also in a time of flux. Her father has died. Her mother fell in love with and married a man who had been a long-time family friend. Her younger brother learned that he was a father and also got married, and then came home to help run their family’s restaurant.
She has just finished her third year of college and embarked on a summer gig to teach art to an underserved community. She isn’t entirely sure what she wants: romance? Probably not. True love? Definitely not. She talks about reinventing herself in a new place. Getting away. Is there some part of Meghan that wanted to escape herself? Most definitely!
Sam, on the other hand, has his feet firmly on the ground. He’s serious and focused on keeping the family farm above water. When he meets Meghan the first time (after her night at the Road Block) he makes some really big judgments that might not be based on her actions as much as they are on his own feelings.
The Last One is about two people falling in love, when doing that is the last thing either of them wanted or expected. But it’s also about life in a small town, about healing after loss and about being courageous enough to take a chance.
We’re going to discuss all of the Love in a Small Town books in my reader groups, both on Facebook (the Temptresses) and on the forum attached to this site (Tawdra’s Inside Squad). Come join us there to chat!
What is a Patreon, and Why Do I have One?
Last month, I had lunch with a good friend who is an author, too–she lives in New England, so we don’t get to see each other as much as I’d like. She was just returning from the San Francisco Uncon, and she had a lot to share with me.
One of the suggestions she had for me, personally, was to consider starting a Patreon page. Since I didn’t know much about it, I did some investigation. You might know that centuries ago, in Venice and Rome and other settings of classical art and literature, rich patrons would sponsor artists who otherwise might not have been able to survive on what they were earning through their art. This was a wonderful way for the patrons to be part of the creative process, even if they themselves weren’t gifted to create in a particular way.
Patreon operates under the same principle. For those of us who struggle to make ends meet on the money earned by our art, it’s a constant battle between creating and worry. Patreon allows us to offer incentives to supporters who will agree to pledge a certain monthly amount.
And so . . . I have a Patreon page. It’s brand new, having just launched on April 1st. I hope you’ll check it out; I’m pretty excited about the concept. My hope is that I can garner enough support to give me a little breathing room during those months when sales flounder or when I need to beef up my advertisement a bit (read: advertise at ALL).
I didn’t do this lightly. Newsflash: I HATE asking people for money. Hate it. Truth to tell, if I could live without food, a home and internet, I’d write my books and give them away. But I can’t live without those things, nor can my family. So I’m swallowing a shit-load of pride and asking people who CAN afford it to consider supporting the arts and the artist.
I am fully aware that artists are not the only people who struggle with a month that is longer than our paychecks or bank accounts allow. So I don’t expect everyone to jump onto this bandwagon. But I would love it if people who can’t support could SHARE so that perhaps others might consider joining.
I’ve modeled the levels of support on the basis of romance, so there’s First Love ($3), Going Steady ($5), Time for a Ring ($25), Wedding Bells ($50), Golden Anniversary ($100), Always and Forever ($500). Each level has its own set of rewards.
Please DO jump over there and look at the page . . . and consider supporting and/or sharing. Both are appreciated.
Support the Arts Here!
Author On The Edge: Why the publishing business can be tough on your mental health
As long as I can remember, I wanted to be a writer. It was my first ambition, and I wrote my first book in grade school, submitted it to Harper & Row and received my first rejection postcard. I wasn’t deterred, though. I knew, with the sort of certainty only an eleven-year-old can muster, that I was destined for authorhood.
Life got in the way of that dream, replacing it with other equally as dear and important dreams. I went through school, got married and became a mother. I used my passion for writing in other areas of life, like editing my kids’ school papers, my husband’s work and our churches’ newsletters. I wrote homeschooling curriculum during the years we homeschooled our kids.
When the universe finally worked things out that I had the time and attention to give to fiction again, I was forty-one years old. The same year I finished my first novel was a pivotal year in the publishing industry, because Amazon had released the Kindle in 2007, and KDP had joined Smashwords and other smaller outlets that made publishing a book on your own possible. However, indie publishing wasn’t mainstream yet. I didn’t even consider going my own way until I’d tried everything I could on the traditional side of publishing.
But in December of 2011, I took the plunge and became part of the indie publishing wave. I have no regrets about making that choice. It has allowed me freedom and control and the ability to shape my career in a way that works for me. I wouldn’t change that path to go the traditional route for anything in the world.
And yet . . .
The last six and a half years have contained some of my highest high points–the proudest moments of my life aside from marrying my husband and delivering my four children. I’ve seen my books climb charts. I’ve seen stories that started as a momentary bit of fantasy in my brain morph into words on a page, both paper and electric. I’ve interacted with readers who told me that my stories helped them or cheered them or helped bring them closure. I’ve met readers who have become friends. I’ve met authors who have become friends.
But these years have also contained some of my lowest lows, days of doubts and fears and so much anguish that I wasn’t sure I could go on. There have been so many weeks when I was sure I wasn’t good enough and never would be. There have been months when I’ve felt like the biggest failure as not only an author and businesswoman, but also as a mother and wife, because I’ve dedicated so much time to my work that I have missed out on things with my family.
One of the great things about indie publishing is the community, and I have been blessed to sit at the virtual feet of some of the authors I have admired for a long time. I’m grateful for that. I’m grateful for all of it. At the same time, though, one thing I’ve learned is that everyone is on her own path, and so when I ask for advice, it might not be exactly what I need. It might not work for me. It might–but there’s just as good a chance that it won’t.
I’ve increased how often I release . . . only to be told that real success comes from making readers eager and anxious for the next story by releasing less frequently. So I’ve slowed releases.
I’ve increased prices to show that I value my work . . . only to be told that free or 99 cents is a better way to go.
I’ve tried different genres of romance when one didn’t work well, only to be told that I need to stick with one so as not to dilute my branding.
I’ve joined groups where authors with quantified success tell others how to translate what they did into similar success. I’ve read the books everyone says we should read. I’ve listened to the podcasts and gone to the conferences and taken advice.
I’ve tried Facebook ads, BookBub ads, AMS ads, only to be told that advertising is pointless. I’ve spent what is to me a lot of money, and I’ve seen almost no results, because, I’m told, I need to spend more to see more.
I’m not someone who has to be led, who needs someone to tell me what to do. I’m strong-minded. I’ve raised three strong daughters and one strong son, and I’ve run a household, I’ve handled my parents’ very complex estates, I’ve been an Army wife who can organize a move, a dinner party and emergency care for disasters.
But this is breaking me.
I’ve had down times in the past. But nothing has been as bad as the past few months. You see, until last January, while my book income was definitely helpful, it wasn’t crucial. Now it IS. Now, we live and eat and pay all our bills on that book income. And that income isn’t growing with each new release–in fact, despite the fact that I work an average of nearly 20 hours a day 6-7 days a week, that income is dropping steadily. It’s the way the business is trending. There are too many authors, too many books and too much noise. Some of us are still doing well, but some of us are not.
Talk about pressure . . .
Am I whining? Maybe. Am I complaining when I shouldn’t? Maybe. Do others have it much worse? Oh, without a doubt. No question. I know this.
But this is my reality and my struggle. My path. I also know I’m not alone. I’ve talked to authors who are feeling the same, authors who are wondering if they can make it.
Brutal honesty time: I have been questioning, over the last few weeks, if this is worth it. I wonder if it’s time to give up on the dream, stop subjecting myself to the constant rollercoaster ride that is releases and promotions and sales numbers. I’ve been closer to complete despair in the last month than I have been in over two decades.
I’ve been writing this post for a while. I’ve almost deleted it more than once. If I do share it, the only reason will be so that another author who is out there struggling as I am will know she is not alone.
Today, I’m not giving up. Today, I’ll write some more words, and I’ll do something for my next release (my 59th release, which is this coming Saturday, on my 51st birthday). Today, I’ll chat with my reader friends and I’ll hope something I say makes a difference. I’ll reach out to other authors and try to help.
For one more day, I’ll believe that something, somewhere, is finally going to work, not only for me, but for all the dreamers who keep on working and hoping.