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Oh, Behave

As I’ve said in earlier posts, the indie community is small and sometimes a little incestuous. There are rarely six degrees of separation; most authors’ friends lists intersect with all the others, and word spreads fast.

So whenever there’s an instance of an author Behaving Badly, it doesn’t take long for the story to get around. And I know it’s a shocker, but sometimes the facts get lost along the way.

I don’t claim to have it all together. I don’t think I’m better than anyone else out there. But I was raised right, by parents and grandparents who made sure I knew what was what. And although I’m nearing the end of my fifth decade and all of those wonderful people have moved on to a better world, I still know better. Most of the time.

its-time-to-stop-postingI know, for instance, that when I’m in public at an event, representing my profession and my books and my branding, I need to Behave. I smile no matter what, and when people say outrageous things, I do my best to nod and keep smiling. When I’m tired and ready to go hide in my room, I really try to pull out some extra energy and keep on keeping on. I’ll admit that there have been times when I’ve been less than outgoing; I’m not an extravert, and I have to force it.

When others make different choices, when we feel as though Bad Behavior is encroaching on our own rights, we might be tempted to vent. Some of us might want to vent on social media. This, dear ones, is not a good idea. Vent to your mother, your sister, your husband, your therapist. But spouting off on social media, no matter how justified you feel it might be, is Not Cool. And it won’t lead to resolution; it will lead to more Bad Behavior and to people taking sides and to nastiness all around. Don’t do it.

But if someone does decide to vent on social media, don’t respond. Be the Bigger Person. Hide the complainer, unfriend her, turn off your computer and your phone or do whatever you must do, but avoid engaging.

I’ve heard the excuses. I’ve heard authors claim that readers “deserve to know” about an author or an event or another reader. Dear ones, they really don’t. They don’t deserve to know, because it doesn’t affect them. A bitchy author who writes excellent books doesn’t need you to bring her down. Karma will do it. Or not, but it doesn’t matter to you. Move on and in the immortal words of Taylor Swift. . .Shake It Off.

Call me Pollyanna or say that I’m wearing rose-colored-glasses, but I promise, life is much nicer when you step away from the drama. When you close the computer, turn off the phone and just say no to posting something negative. Focus on the positive; talk about the wonderful sweet and helpful authors out there, the ones who cheer on their compatriots. Tell your readers about how fabulous the event you attended was.

Or in the words of Austin Powers. . .oh, behave.APimages

I’m Reading Wild Reckless by Ginger Scott and The Ivy Years by Sarina Bowen

When you’re a reader-connoisseur of a certain genre of books, you tend to develop a sixth sense about those books. I can usually tell from a blurb–either how well it’s written or its content–whether a book is for me or not. Sometimes, though, I choose to read a book despite its blurb. At times this works out, and others it does not.

This week, I read three really excellent books that fell into this category. I wasn’t enthralled with any of the blurbs, but I went for it anyway and was pleasantly surprised.

The first book is Wild Reckless by Ginger Scott. I’d read four of her other books; the first two were really excellent (This is Falling and You and Everything After–LOVE those titles), and the other two were only so-so. I’m happy to say the newer books were the better one, so it was clear Ms. Scott’s writing has been evolving. But on the basis of those first two, I bought Wild Reckless even though it seemed to be a little YA.

I loved this story. The characters are amazing, three-dimensional, well-rounded and well-written. There is a lot of angst and trauma, but none of it is manufactured or dwelt on too long. It’s just the sucky stuff that happens in some lives and how we move on from those situations, living past them without letting them define us.

Owen and Kensington had terrific chemistry, and their story developed at the perfect pace. I really enjoyed this book, and I’d love to read more in this world. (Hint, hint, Ms. Scott!)

After finishing Wild Reckless, I started reading The Year We Fell Down by Sarina Bowen. I wasn’t sure about this. The main female character was in a wheelchair, and I wasn’t sure how that would be handled. As it turned out, I was impressed that while the challenges of Corey’s condition certainly were not ignored, again they did not define her. They were part of the situation that allowed her to meet Hartley, and they added some complications, but they only made the ultimate coming together sweeter. Again, well-written characters set into a plot that didn’t have too much contriving.

I enjoyed it so much that I went directly into the next book, The Year We Hid Away, and I loved it, too. Possibly even more! I even read the novella The Blonde Date, and found it wonderful. I highly recommend The Ivy Years books.

And now I’m looking for a new read. Any thoughts? Ideas? Books that are making you sigh?

Release Day!

The Only One is available now!

TheOnlyOne

 

The anticipated final book in The One Trilogy 

is finally here!

Rilla’s a good girl who’s ready for a change.

Mason’s a tough guy who’s afraid to love again.

Sometimes love isn’t the easy choice.

Sometimes it’s the only one.

***

Amazon/iBooks/BN/Kobo

Mason Wallace left his hometown to live his dream: he had the perfect career, a gorgeous wife and a beautiful baby girl. He was on top of the world, until it all shattered with the sudden death of his wife. Now he’s back in Georgia, running his bar and trying to take care of his family. And he needs all the help he can get.

Rilla Grant’s never been farther than twenty miles from her family’s farm. Her overprotective father wants her to marry their church’s youth pastor and settle down into the life he’s chosen for her, but she’s not sure that’s what she wants anymore. Rilla’s chafing to make her own choices, and that includes starting her own PR business and maybe even moving off the farm, no matter how much her dad hates it.

When Mason asks Rilla to work on some promotion for his bar, she’s both excited and terrified. Excited, because it’s just the opportunity she’s wanted, and terrified because Mason, with his intriguing hazel eyes and drool-worthy body, is the kind of guy who makes her knees weak and her heart pound. He’s the only one who’s ever tempted Rilla to defy her family, and when she does just that by moving in to help take care of his daughter, they’re both forced to make a decision that’ll change their lives forever.

Sometimes love isn’t the easy choice. Sometimes it’s the only one.

***

Don’t miss the first two books in The One Trilogy!

The familiarity of home, the warmth of family ties, the sweet sensation of being wrapped in the arms of THE ONE love that meant everything. . .each story is a remarkable package of all this and more.

–Olivia Hardin
USA Today Best Selling Romance Author

The Last One

The One Trilogy Book 1

Meghan Hawthorne is restless. The last year has been a roller coaster: her widowed mother just married a long-time family friend. Her younger brother unexpectedly became a father and a husband. Everyone’s life is changing. . .except for hers. As she begins her final summer of college, Meghan’s looking for excitement and TLOEbookSWmaybe a little romance. Nothing serious; this girl just wants to have fun. 

But the only man for Meghan turns out to be the last one she expects. 

Sam Reynolds doesn’t need excitement, and he doesn’t want romance. Fun is out of the question. He’s been the steady, responsible one since his parents were killed, and serious is his way of life. 

When Sam rescues Meghan alongside a dark Georgia backroad, she falls hard for his deep brown eyes and slow drawl. But making him see her as more than just a party girl won’t be easy. Sam’s tempted by the fiery young artist, even as he realizes that giving into his feelings will mean radical change. . .maybe more than he can handle. 

Nobody ever said love was simple.

 “As an almost strictly paranormal romance reader, it takes a certain type of author to convince me to dive into straight romance. Tawdra Kandle is one of the few authors I will make an exception for. Her writing style is so easy and relaxing that I have to really keep an eye on the time or I’ll stay up all night to finish one of her books.” Carrie Williams, Goodreads Reviewer

“Wow. Talk about romance with an edge. From the beginning the characters were so real that I was completely invested in them. The sexual tension woven into the story added so much value to the relationships. I will be reading this book many times just so I can spend more time with Meghan and Sam.” Cheryl Garrett, Goodreads Reviewer

“I’m in love with this book!!” Leah Fennick, Goodreads Reviewer

Buy it now at Amazon/iBooks/Barnes and Noble/Kobo/Google Play

***Free for a limited time***

 Watch the trailer here!

 

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The First One

The One Trilogy Book 2

Ali and Flynn were high school sweethearts. Eager to see the world and leave behind their small Georgia hometown, they’d planned for an exciting new life together after they finished school.

But on graduation day, only one of them hit the road.

Eight years down that road, an unexpected loss brings Flynn home again. He’s a big-shot photo journalist, and he’s made most of his plans reality. But he’s done it alone. Is it too late for his biggest dream to come true?

Ali’s spent those years working hard, raising a daughter and helping her brother keep their family farm alive. Thinking about Flynn and what might have been is a pain she tries to avoid. . .even when it’s impossible to forget.

Flynn’s return brings back feelings Ali thought were long dead and hopes she’d abandoned. Finding their way back to each other will change them forever, opening old wounds and stirring up memories.

Can first love be the one to last forever?

“Tawdra Kandle knows how to weave a story that is both steamy and heartfelt. I cannot even tell you how many times I was brought to tears while I read The First One. I’ve been waiting for Ali’s story ever since I finished reading The Last One, and I was not disappointed.” Melissa at Reading It All

“This was a beautifully executed romance that managed to change around all my preconceived notions about Flynn and Ali from the previous book. I started the book determined to hate Flynn all the way through for abandoning his family, but somewhere along the line I began to hope for happiness between these two. Amazing!” Carrie Williams, Goodread reviewer

Buy it now at Amazon/iBooks/Barnes and Noble/Kobo/Google Play

Watch the trailer here!

 

Tawdra Kandle writes romance, in just about all its forms. She loves unlikely pairings, strong women, sexy guys, hot love TK03scenes and just enough conflict to make it interesting. Her books run from YA paranormal romance (THE KING SERIES), through NA paranormal and contemporary romance (THE SERENDIPITY DUET, PERFECT DISH DUO, THE ONE TRILOGY) to adult contemporary and paramystery romance (CRYSTAL COVE BOOKS and RECIPE FOR DEATH SERIES). She lives in central Florida with a husband, kids, sweet pup and too many cats. And yeah, she rocks purple hair. 

Follow Tawdra on Facebook/Twitter/Pinterest/Instagram

Visit her Website and subscribe to her Newsletter for special content and giveaways!

An Eventful Year (Part 2)

Last week, I talked a little about what it’s like going to author/reader events as a reader, along with some tips for making the most of the experience. This week, I want to talk about it from the other side of the table.

What are events like from an author’s point of view?

First, I have to recommend this really excellent post by Delilah Dawson. She does a great job of talking about why you may find authors difficult to interact with at events. (That’s my nice way of saying it; Delilah lays it on the line.)

Each of us has a different plan for our schedule and for how many events we attend. Last year, for instance, my year began in early February, and with the exception of April, when I was home, I was at a con about every other weekend until the end of May, and then again in August and10605450_10152421412689145_601366583_o September. It was a lot; in fact, it was almost too much. I was exhausted to the point of tear by May.

This year, as I said last week, I’m a little more spread out from February to mid-August. (Click here for an exact schedule.) I’m hoping it will be less stress on me and more fun for everyone.

Let’s talk about events: the author POV.

Preparation for a con begins months, sometimes even a year, ahead of time. We determine if this event will be a good fit for us, and we commit to a table. We may volunteer to donate swag, books for a charity giveaway, sponsor a party or some other element of the weekend and offer to sit on panels (if they’re available).

And then we promote. We share with our readers where we’re going to be. We offer incentives to come see us. We participate in the reader/author groups (one per event) and we put banners on our pages and we cheerlead–a lot.

As the time comes for the author event, we have to plan our swag offerings, how many books to bring, what else we want on our table, whether or not to bring a banner and any other piece of plan-ahead minutia. We check the agenda to see what kind of clothes to wear. We check the weather to see whether we need a coat. We check the hotel to see if it has a pool.

The closer it gets, the more excited we become. Writing can be a lonely business, and some of us get positively giddy at the thought of hanging with our favorite author buddies! The idea of chatting with people who speak our peculiar and particular language. . .it’s fabulous. We plan meet-ups and hang-outs, because from this vantage point, the weekend seems full of opportunity, and sitting at home, our energy levels are high.

For a lot of us, though, once we arrive at the venue, things can change. The stresses of travel, getting checked in to a hotel and to the event, finding where we’re supposed to be, hauling alllll our stuff to our rooms. . .well, it’s tiring. And when we see crowds of people doing the same thing, we may just want to crawl into that beautiful hotel bed and hide.

Some of us, some of won’t. Some of us will be at every party, and some of us will convince ourselves that the parties and other meet-ups are for other authors, not people like us. But we’ll show up at every place where we’re specifically committed: panels, signings, meet and greets, blogger events. . .because we’ve said we’d be there. Even if we’re fatigued beyond the telling, we’ll slap on a smile and go.

For those authors who are dipping their toes into the event pool this year–and for those who feel they’re still figuring it all out–here are some tips I’ve picked up from my own experience and from some of my friends. Take it for what it’s worth.

–Don’t over commit yourself. Ten events in ten different cities may seem like a good and workable plan now, as you sit at your desk, but unless you’re twenty-two, have a personal staff and a private plane, it’ll do you in. Plan the events that are reasonable, with enough recovery time in-between.

–If you commit to an event, do promote it. The planners can only do so much, and it behooves everyone to get involved in publicity. Share all the info, push ticket sales, encourage your readers to come. If you can, give away some tickets. Tell readers why they’ll enjoy it.

–Be participatory and responsive in the months leading up to the event. I’ve been next to authors who’ve sniffily said they were too good to join the author-only groups for an event. Guess what? Those authors missed out on vital information that would’ve made the day more successful. You’re only hurting yourself and the event by not jumping in.

–Don’t spam the event reader groups. It’s fine to introduce yourself and share info about your books, but maybe once or twice in the months leading up to the event. You don’t want to turn people off before they’ve met you.

–Get to know other authors. Often, in the author-only groups, you’ll find you have things in common with other attending authors. It’s cool to make friends ahead of time. You might even want to make plans to meet that person once you get there, especially if you don’t know anyone else.

–Ask questions–but limit them to the event. It’s fine to ask how many books to bring, where’s the best spot to get a margarita in the host city, or who could take delivery of your books before the weekend. It’s great to post for a roommate, a ride from the airport or ask who wants to meet for dinner one night. It’s not okay to ask other authors to critique your books, offer a review sentence or help you choose a cover.

–Stay at the venue hotel. The planners have a room block, and they need to fill it. Help out.

–Allow plenty of time to get to the event. Don’t stress yourself and the planners by arriving at the last minute. Have a ride from the airport.

–Plan to participate in as many of the weekend activities as possible. This is for your benefit and for the planners. Don’t disappoint anyone by hiding in your room the whole time.

–At the same time, pace yourself. If you’re like me, signings and meet and greets can be exhausting. Try to give yourself a 30 minute break between these commitments so that you can refresh and recharge.

–Dress professionally. You don’t have to wear a business suit, but jeans and sneakers probably don’t cut it. You can be comfortable and still look put-together. This is your business. Treat it that way.

–Act professionally. Readers might like your wild and crazy personality on line, but in person, you need to keep things toned down. You can be yourself one-on-one, if you know a reader, but on panels, at signings and at meet and greets, limit profanity. I don’t care how dirty your books are; this is business, and no matter what, you will offend someone.

–Don’t get drunk in public. Now, does this sound like a no-brainer? And yet. . .for a lot of us, we combine events with vacations. This is our time away, and we might want to cut loose. Don’t do where you can embarrass yourself and your readers.

–Make the effort to reach out. When you’re at a signing or a meet and greet, look people in the eye, shake their hands and introduce yourself. Ask about them. Make conversation.

–Wear your name tag. I don’t care how well known you are, not everyone will recognize you. At RT last year, I stepped back to let a lady pass me. I didn’t recognize her. I happened to see her name tag and gasped. . .it was Charlaine Harris. As in, Sookie Stackhouse. I love her books, but I wouldn’t have known her if I hadn’t seen her name tag. Wear yours and help everyone out.

–At the signing: have the most copies of your first in series and your most recent release. Those will be your biggest sellers, most likely. Display your books as attractively as you can. I’ve found that a rack of books is intimidating to people, but single books, displayed at the front, draw readers in.

–Have something else at your table that attracts attention. Last year, I began having balloons at my table. It was great for visibility and made me a draw to moms wandering with small children. Candy is also a big hit.

–Hand out something. Whether it’s a swag back, small non-paper swag or goodie bags, having something to give everyone who comes past your table gets you on your feet and interacting with readers. I’ve yet to meet the person who will turn down a goodie bag.

–If you have a newsletter, have a sign up sheet on your table or a tablet where readers can sign up. Great way to build your list.

–Don’t have too much at your table. Your books, some swag and maybe one signature piece. . .you don’t want it to look junky.

–Be engaged. Believe me, I understand how easy it is to sit at your table while people wander past, checking your messages or playing solitaire on your phone. Don’t do it. Smile, catch eyes and engage.

–Not everyone will stop at your table. Don’t take it personally. There are readers who come to see one author only, and they won’t let themselves even meet another new one. Most readers aren’t like that. Don’t sweat those who are.

–When readers do stop, if they don’t know you, tell them why they should read your books. Give them a link to your freebies. Put a paperback in their hands and suggest they read the back. Ask what they like to read, and tell them how your books fit into that. Tell them where they can find you online.

–Get good sleep while you’re away. Don’t stay up too late.

–Eat well. You need your energy, and it turns out peanut M&M’s and chips and dip won’t cut it all weekend.

–Stay hydrated. Bottled water is your friend.

–Have your pain reliever of choice on hand: you may get a headache. Also have mints and hand sanitizer. Just saying.

–If you can do it, have help. Bring an assistant, a friend, or an older kid. They’ll help you unpack, re-pack and haul alllll your stuff back and forth. You’ll need that help.

–Talk to the authors near you. Check out their books. Offer to trade a book for one of theirs. Exchange cards. When a reader comes up and mentions she enjoys the genre the author at the next table writes, introduce them. It’s called being gracious.

–At some point during the weekend, step out of your comfort zone and introduce yourself to authors you’ve never met.

–Try to go to panels, even if you’re not on them. It’s classy.

Oh, my goodness, I could keep going. We may need a Part 3. But you get the picture. Remember all those manners your mama taught you? Use them. Be kind, be polite, be classy. Open doors, hold elevators, compliment others. Oh, and take pictures, so you can share the weekend with all your readers who couldn’t be there. When they see what fun they’ve missed, they may make the effort to come to the next event.

 

I’m Reading The Hook Up by Kristen Callihan

Today, I’m continuing my string of New Adult romances with terrific characters in The Hook Up by Kristen Callihan. I’m a little shocked that this was Ms. Callihan’s first contemporary romance (I guess she’s written some paranormal). Frankly, I was a little miffed because I want more NOW.

Again, the plot of this story isn’t anything earth-shattering. Boy meets girl. . .and in this instance, boy and girl feel instant attraction. Boy is willing to pursue, girl wants nothing to do with boy because he’s the BMOC (is that a thing anymore? It was in my day.) Dude’s a football star, 2-time champion and Heisman trophy winner. Anna Jones is the type to fly under the radar after getting shunned by the popular crowd during high school.

But Drew Baylor doesn’t take no for an answer. Not in a stalker, creeper way, but in the sense that he’s taking advantage of every opportunity he gets to see and talk to Anna. When they finally hook up, she lays down some rules in her own head (which is something else I liked: she doesn’t tell Drew the rules, it’s just understood, which I think is so much more realistic): no kissing on the lips. No telling anyone. No staying the night. No falling in love.

Of course it becomes more. You know it will, I know it will . . . so why do we get hooked by hook up stories? Because it’s about falling in love. It’s about two damaged characters who are fighting being together until the absolute senselessness of it makes being apart impossible.

The only problem I had with this book was that I want the next one NOW. Yesterday. And there’s not even a release date. I’m a little bitter.

I think I might need a 12 step program for new adult contemporary romance.